Theater Ninjas, which bills itself as “the Food Truck of Cleveland Theater” due to its having no permanent home, but relishes its nomadic ...

Tanya Barfield, author of THE CALL, which is now on stage at Dobama Theatre, didn’t want to write the play.  She stated in a December, 2...

Tyson Douglas Rand, director of THE HAPPY SAD now in production at convergence-continuum, in his program notes for the show, states, “What...

In June 23, 1992, if you believed the supermarket tabloid, “Weekly World News,” you’d have accepted that a “large-eyed, fanged human child...

As the actors lined up for the curtain call of Cesear’s Forum’s THE INVESTIGATION, Peter Weiss’s play about the Frankfurt Auschwit...

Arthur Miller, the author of THE CRUCIBLE, which is now in production at the Cleveland Play House’s Outcalt Theatre, was one of the most i...

In his program notes for Great Lakes Theater’s production, director Joseph Hanreddy states, “KING LEAR, with its titanic range of emotiona...

Every once in a while a theater-goer is privileged to participate in a staged production that aesthetically enfolds them. Under the creati...

In her directorial notes for the Beck Center’s production of Terrance McNally’s MOTHERS AND SONS, Sarah May states, “I was so struck by th...

Edward Albee, author of WHO’S AFRAID OF VIRGINIA WOOLF,  now in production at The Lakeland Civic Theatre, is one of the best known Theatre...

Arthur Miller’s DEATH OF A SALESMAN, the Pulitzer Prize and Tony Award winning drama, now on stage at Ensemble Theatre, is universally rec...

Opening night of THE SPITFIRE GRILL was a special evening for the Beck Center for the Arts.  It was the start of the o...

Liza Minnelli once said, “The greatest thing about [John] Kander and [Fred] Ebb is you sing their songs and you feel good.”  She was refer...

The Cleveland Play House opened its 100th season in a lavish and theatrically exciting way.  An invitation only group of CPH financial sup...