Ch’ing•lish delights while probing cultural differences The Sapir-Whorf Principle theorizes that we are the language we use, that our...

CLEVELAND, THE SURPRISING HOME OF LOTS OF THEATRE Feature story to: Arts America The woman on the deck of the cruise ...

Silver, Patterson, Wright and Sondheim—A LITTLE LIGHT MUSIC at FPAC Some theatre goers have a love-hate relationship with Stephen Sondheim. ...

TIGERS BE STILL…a slight comedy about depression Have you ever had an American cheese, mayonnaise and white bread sandwich? You finished i...

DADDY LONG LEGS…charming and harmonic at CPH Daddy Long Legs, a novel by the American writer Jea...

Ensemble initiates its new home with classic WAITING FOR LEFTY In this era of Wall Street sit-ins and the politicizing of unions, as repres...

RACE, a must see at Beck David Mamet, the Pulitzer Prize winning author, is noted for his ability to create vivid images with his use of lan...

MONSTER PLAY, Jeremy Paul’s imagination again goes wild When Jeremy Paul, the creator and director of MONSTER PLAY, now getting its world pr...

WOODY GUTHRIE’S AMERICAN SONG educates and delights at Actors’ Summit If Woody Guthrie, America’s rambling troubadour were alive toda...

Con-con’s THE BOYS IN THE BAND fun, but lacks needed consistent realism Mart Crowley’s THE BOYS IN THE BAND, now on stage at convergence-con...

MILLION DOLLAR QUARTET….great balls of fire! Part concert, part history lesson, a lot of rock ‘n ro...

No standing ovation for CABARET at Great Lakes Theatre CABARET. It’s 1931 in Germany, a country of unrest. We find ourselves at the Kit Ka...

Farcical THE TAMING OF THE SHREW entertains at GLTF, but… Though it is billed as a comedy, Shakespeare’s TAMING OF THE SHREW, a version of w...

NOVEMBER is relevant but humorous rather than hysterically funny at Lakeland The dialogue writing style of David Mamet, the author of NOVEM...