‘OUROBOROS’ makes for challenging viewing at convergence continuum 'OUROBOROS,’ the name of the duo of plays now being staged at converg...

Browns not only fumble at stadium, but at CPT As evidenced in the world premiere of ‘BROWNS RULES’ by local playwright Eric Schmiedl, our lo...

Doug Elkins and Friends delight in ‘THE SOUND OF MUSIC’ take-off As evidenced by ‘FRÄULEIN MARIA,’ his take-off of the musical ‘THE SOUND OF...

Wonderful ‘WICKED’ wows ‘em again at State How good is the production of ‘WICKED’ which is now appearing at the State Theatre? My 14-year o...

‘MAMMA MIA’ entertains once again at Palace The two middle-aged women sitting in front of me at the Palace Theatre’s production of ‘MAMMA MI...

A delightful look at romance in the cyber age at Actors’ Summit Playwright Eric Coble , whose play ‘FOR BETTER’ is getting its regional pre...

‘A PROPER MURDER,’ a good production of a convoluted script at Theater Ninjas In his program notes to ‘WOYZECK, A PROPER MURDER,’ director J...

‘INHERIT THE WIND,” an onstage view ‘INHERIT THE WIND,’ which is now receiving an impressive production at the Cleveland Play House, opened ...

‘YELLOWMAN’--well-conceived, superbly acted, eye-opening script Every once in a while a theatre attendee gets the opportunity to experience ...

‘WILD PARTY,’ a challenge for BW’s Musical Theatre Students In 2006, the now defunct Kalliope Theatre presented a production of ‘WILD PARTY...

Durang’s “TORTURE’…Cheney let loose at CPT Christopher Durang, the author of ‘WHY TORTURE IS WRONG AND THE PEOPLE WHO LOVE THEM,’ which is n...

‘14’ a thought provoking offering at Kent State University During the recent amendment fight in California, it was revealed that much of the...

‘THE ALICE SEED’ at CPT, a conjure-wives tale ‘THE ALICE SEED,’ now in a world premiere production at Cleveland Public Theatre, is a perfect...

‘YOUNG FRANKENSTEIN, a comedy of errors, some intentional, others not The opening of this year’s Broadway series was slightly delayed. As t...

Comedy goes askew at Ensemble ‘THE MAN WHO CAME TO DINNER,’ which is now on stage at Ensemble Theatre, was George Kaufman and Moss Hart’s co...

Varied Verb program on pointe! For its latest offering Verb Ballets, Cleveland’s “National Repertory Dance Company,” celebrated 80 years of ...

TWELFTH NIGHT farce for the sake of farce at GLTF Charles Fee, the Director of ‘TWELFTH NIGHT’ now playing in repertory at the Great Lakes ...

So long Bang and Clatter, BUT………….. About five years ago Bang and Clatter, an Akron based theatre, the dream child of Sean Derry and Sean Mc...

Tupperware party at the 14th Street Theatre is actually a Tupperware party There is a conundrum going on at the 14th Street Theatre in Playh...

‘Drood,’ a British Music Hall romp at GLTF Charles Dickens had a stroke and died about two-thirds of the way through his novel ‘MYSTERY.’ N...

Beck’s FIDDLER is white bread, not challah ‘FIDDLER ON THE ROOF,’ now in production at Beck Center, is one of those perfect musicals. Based...

It’s another one of “those” shows at convergence continuum At the conclusion of ‘FINN IN THE UNDERWORLD,’ at convergence –continuum, the wom...

Dobama moves into new home and presents a new play at a gala event Dobama is fifty years old. The theatre company celebrated its birthday b...