‘THOSE SEVEN LITTLE WORDS’ entertains at Kennedy's “If you’re here tonight you’re gay, know someone who is gay or are my family.” With t...

Oh what a beautiful 'Oklahoma' at Porthouse Based on ‘GREEN GROW THE LILACS,’ a stage play by Lynn Riggs, ‘OKLAHOMA!’ brought togeth...

Uneven Dance Brazil at Cain Park For over 25 years, the celebrated dancers and musicians of DanceBrazil have been among the foremost interpr...

‘INTO THE WOODS’ strays off the path at Lakeland The initial concept for the award winning musical ‘INTO THE WOODS’ was for writer James Lap...

‘1776’ examines our country's birth at Beck Are you aware that the New York delegation was the last of the 13 original colonies to vote ...

2003 Shaw Festival Season filled with highlights The Shaw Festival, which is performed from April through the end of November in lovely Niag...

' THE LION KING' gets glowing review from Alex and Noah The major theme of ‘THE LION KING--THE BROADWAY MUSICAL’ centers on the circ...

Roy, I sent your review of the Shakesphere Festival on to my cousin Scott. Thought you might like to know how he answered me. Can you ad o...

Poorly conceived 'DIE FLEDERMAUS' at Lyric Opera In the 1860s the Parisian operettas were a tremendous vogue in Vienna. The central ...

'FIDDLER ON THE ROOF' is audience pleaser at Cain Park September 22, 1964 is a significant date. ‘FIDDLER ON THE ROOF’ opened, and ...

‘A CHORUS LINE’ A MUST SEE AT PORTHOUSE In 1975 I went to New York to see Lorain County Community College graduate Chrissy Wilczak in the Br...

‘GREASE’ slides through Cleveland Audience members who came to the Palace Theatre to hear Frankie Avalon recreate his film portrayal of Teen...

‘PICNIC’ fine at Actors' Summi t In the mid-nineteen fifties and for the next decade, three playwrights dominated the U.S. dramatic sce...

Pleasant “A...MY NAME...” at Halle/JCC Watching ‘A...MY NAME WILL ALWAYS BE ALICE’ at the JCC’s Halle Theatre is like eating Chinese food. ...

Outstanding production outshines script at convergence-continuum In the late 1960’s and early to mid-70s the big thing in theatre were plays...

'DIRTY BLONDE' totally delights at CPH When I'm good, I'm very good," Mae West says with a wink, "but when I'm...

'PROOF' adds up at the Cleveland Play House You do not have to know anything about math to appreciate 'PROOF,' now on stage ...

CREDEAUX CANVAS ‘-- Ensemble's last production at the Civic Lucia Columbi, Artistic Director at Ensemble Theatre writes a somber message...

'FULLY MONTY' full of fun at the Palace I was fortunate enough on opening night of ‘THE FULL MONTY, now on stage at the Palace Theat...

'La Cage Aux Folles' fun at Beck, but... “Is the biblical condemnation of homosexuality a rigid commandment broken at dire risk to t...

‘IN THE BLOOD’ awesome at Dobama The average theatre-goer has probably never heard the name Suzan-Lori Parks. It does not flow out of the m...

‘ARMS AND THE MAN' marches to victory “Patriotism is your conviction that this country is superior to all others because you were born i...